Audition and Rehearsal Update

A 2013 Summer Festival rehearsal held at the Church of the Incarnation. Photo credit: Pat Rasile.

A 2013 Summer Festival rehearsal held at the Church of the Incarnation. Photo credit: Pat Rasile.

Looking to sing in a chorus in New York City? Look no further.

We will audition singers on September 9 and 16 from 6:00–6:50 PM. To schedule your low-pressure audition, contact Artistic Director Matthew Lewis, stgeorgeschoralsociety@yahoo.com.

This fall, we will hold rehearsals on Wednesdays from 7:00–9:30 PM at St. George's Chapel, 5 Rutherford Place, one block east of Third Avenue between 16th and 17th Streets.

Rehearsals for the spring concert will be held in a warmer spot. We will meet on Wednesdays from 7:30–9:40 PM at Church of the Incarnation, 209 Madison Ave at 35th Street.

We hope you can join us!

Our 2015–2016 Season

We are thrilled to share our 2015–2016 season with you. Here is how Artistic Director Matthew Lewis describes our fall and spring repertoire:

Fall Concert (with orchestra)

Mendelssohn: Symphony No. 2 in B-flat major, opus 52, "Lobgesang"

Vaughan Williams: Serenade to Music

This "choral" symphony by Felix Mendelssohn Bartholdy is one of the highlights of the choral repertoire. It was composed in 1840 to celebrate the 400th anniversary of the invention of printing. It is a symphony cantata, on sacred texts, for choir and soloists, with full orchestra. The movements are performed consecutively, without pause, to great dramatic impact. This piece will entice the experienced choral singer to participate, as it is a thrill to sing. Our chamber singers will perform Vaughan Williams’ “Serenade to Music.”

Spring Concert (with organ)

Choral Works from Paris - Sacred and Profane

Poulenc: Chansons Francaise

Langlais: Messe solennelle

This unusual program features works of 20th century composers Francis Poulenc and Jean Langlais, who both lived in Paris. Poulenc's pieces are a cappella settings of French folk songs. They are extremely well crafted, difficult to sing, and wonderful to hear. And they are rarely performed. These will be sung by the chamber singers. Langlais was a blind organist composer, who wrote in a more modern vocabulary. His thrilling setting of the Mass is for a big choir, with a virtuoso and very well-written organ part.